Northern Sung Dynasty: Landscape Painting Influences

"This is a standard that lasted until the Tang Dynasty (618-907). In the fifth generation (907-960), between 9th and 10th century, the tendency to express ideas with ink slowly used color in Chinese landscape painting In the mainstream, in other words, the tradition of using color and ink continued for 1000 years, but the focus of using color lasted for a while and the period did not end.

The picture selected from the Song dynasty (960 - 1279) is one of the most important painters, Ma Ma (1190 - 1225). It is said that Song Dynasty was one of the greatest times of Chinese painting. The Royal Academy of Arts was founded to enable the emperor of the time to patronize these artists. There were various styles during this period, but the Song dynasty was famous for its landscape painting. In the early days of this dynasty in the Northern Dynasty, the landscape painting preferred magnificent high cliff cliffs.

In the Northern Song Dynasty, the Chinese landscape painting celebrated its exquisite detail and color. Adam Kessler, director of the Los Angeles County Museum of Natural History, has developed China's first blue and white porcelain in the 12th century. Pottery and porcelain made with Southern Song Dynasty are delicate and sophisticated. Literature, history, and scholarships are also prosperous. The scholars prepared two wonderful encyclopedias, wrote the history of China, and wrote prose and poetry. Mathematicians developed the nature of the yen. Astronomers designed many technical improvements to improve the measurement accuracy of stars and years.

"In the paintings of the Song dynasty, Fan Wei, a painter of the" mountain traveler ", was described as" a famous expert at the time ". I believe that this picture is the ideal representative of landscape paintings in northern China from a regional style point of view. Others think that this masterpiece reflects the transformation of the composition that was done in the Chinese painting of the time in the form of their arrangement. Some other scholars believe that this work represents the ideal of a harmonious relationship between man and nature, from a philosophical point of view, which is regarded as a representative of the "memorial landscape" painting in the North Dynasty dynasty.