Nicolas Poussin

Nicolas Poussin 1594-1665 Pictori philosopho (Blunt, 3) was named Nicolas Poussin by Serous d'Agincourt in 1782. Nicolas Poussin was born in Les Andelys town along the Seine River in 1594. According to Giovanni Pietro Bellori, he is from the Nobel family who was destroyed by the religious war. I found out that the hierarchy of his father Jean Poussin had declined.

The story develops mainly in three painters - Porbus, Poussin and Frienhofer. Porbus can be seen as the creation of Flanders painter, French Pulbus, Pusan, Young of Nicolas Poussin, Fröhof, the true genius of the story, Balzac imagination. . After reading this short work and falling in love, many artists, such as Picasso, Matisse, Cezanne, linked themselves to Flemish. I will look at some of the provocative philosophical questions caused by Balzac's story. Rather than merely talking about events in stories. First of all, art is a kind of magic. In his article about the NYRB version of the unknown masterpiece, Dant said. "From a magical point of view, every picture can revive regardless of rude execution.With awe, this is still a trend in the most primitive areas of the human brain.

Nicholas Poussin is widely recognized as a supporter of the classical movement of the 17th century. In his unfinished memo before his death, Poussin tried to idealize what he calls "grand way". These paintings feature a magnificent theme and will be performed through arrangements, means and forms. In Poussin's painting, a big landscape occupies the canvas. Patmos is drawn as an open environment by Poussin, it shows a new world created by the ancient world, symbolizing the destruction of Greek architecture. This setting shows a clear sky above the classical era environment. In the foreground of St. John's, it resembles the god of ancient Greece. Saint John was expelled to Patmos by Roman Emperor Domitian, due to his Christian faith. Known for his vision recorded in the apocalypse, this picture represents a record of his works by saints. There are two oak trees, Obelisk and ancient temples ruins in the background.

Nicolas Poussin spent his entire career in almost all Rome. So, we created a rigorous archaeologically classical style promulgated for the generation of artists by the French Academy. Behind the quiet ancient Poussin's idea is his belief born of ancient Stoic philosophy, in Logos this is the existing organizational spirit of the core of the universe. In this landscape and its predecessor's "Landscapes of St. Matthew in Berlin", Poussin ordered the Evangelists and their symbols in the order of classical ruins, the world of Greece and Rome, and the world of Greece and Rome I suggested. Philosophical continuity between them. A new vision of Christianity. Both landscape paintings were painted before Poussin returned to Paris as the King's first painter. He soon quit his job title and resumed his independent career in Rome.