New Criticism

New Critiques New critiques are a literary way developed by a group of American critics taught mainly at Southern University in the years after World War I. Like Russian formalism, after the new critics Boris Eckenbaum and Victor Schlossowski, they developed a speculative position and technique to read, providing the rise of contemporary literature and art . It is an important addition. New critics want to avoid impressionist critiques that may be shallow and arbitrary, and social / historical (Marxist) approaches may be easily included in other fields.

Leijan gave me an example of what I call an analysis of historical relationships between EJ and new critics and he calls "define the critic's foolishness without directly quoting the actual writings of new critics" provide. I noticed that most of Rejan's analysis is important and subtle, but here I would like to support his thesis without considering the purpose of my work. It is more appropriate, it does not provide "stupid evidence":

In order to see "foolish" Rejan's own paper modeling, I noticed that I spent an important part of the article "New Criticism: Definition and Acceptance, Narrowly" as well as restoring the new criticism Rejan Let's see. , Quoted from major literary researcher David Death. Finally, as highlighted in the article above, I am recording the exact dynamics - the tension between the new criticism and Rosenblatt. Ultimately, regardless of whether you view text through new criticism or reader reactions, students rarely get agents in the process, so there is not enough key to achieve.

From the 1920s to the early 1960s, new criticism dominated British and American literary criticism. A new critical approach insists on the value of careful reading and rejects the source of text. New critics also refused to criticize or analyze analysts 'work to determine the author' s intentions (formulated as deliberately delayed by W. K. Wimsatt and Monroe Beardsley). New critics tend to prefer works that contribute to multiple interpretations, taking ambiguities into account