National Identity in Julian Barnes' England, England

The national identity of Julian Burns in England in the UK "The highest tax cut was introduced to the project coordination committee, the French intellectuals are a small and neat figure in the UK tweed jacket which is too big for him Half, he wore a light blue button shirt, American cotton, luxurious restrained shirt of Italy, international charcoal wool trousers and tassel French loafer (54) Julien Burns regained Tony Blair regime I used his post-modernist novel "England, England" to criticize Britain under the guidance of Mr. Michael.

Ironic, Fantasy, Dystopia, Political, Social Commentary: Julian Barnes' s novel, England, England draws a cruel negative image of England in the 1980 's, Thatcher' s entrepreneurial capitalism as the power to bring the country It is a market-friendly product whether or not it is a trading that shows. In the first part of the novel, Martha Cochrane, the hero, seems to have no problem with all of these. As a prosperous child in an intimate community in the middle of the 20th century, Martha's simple life exquisitely matches a simple realistic shot; Burns suggests Thatcher's peaceful way in front of the British. But all these changes in the '80s - this era, novels make us believe - obsessed with success and obsession. When the world of Martha collapsed in a sudden incident, Barnes' naughty narrative style was used to imitate this change.

Sir Jack intends to paste a free English image to a casual resort. This is not a meaningful way to rebuild the value of England in postmodern world. But despite the complaints of Barnes, the modern UK has been made into a series of meaningless, commercialized images, but when it was at the highest point of the empire, any comments on the country were ironical . Tone, not nostalgic tone. In the plan of Sir Jack, the colonial history of the country was discussed in a fairly unfavorable way. The team believes England regards the east as a "brothel" and is then exploited.