Narrowing the Defining Boundaries of Magical Realism

Latin American writer Elena Garro wrote works such as "Recuerdos del porvenir", "Andamos huyendo Lola", "Testimonios sobre Mariana", "The We We Were Dogs". The short story "We Are Dogs" (1964) uses suspicious events for readers even if the characters are not questioned. Because these events are questioned by readers, it is not a magical realism story. As it was written by Latin writers, this story may not have been detected.

Since the birth of a new art form in the early twentieth century, the definition of magical realism in "porcelain doll" scholars has discussed characteristics of the definition of magical realism. Numerous puzzles have surrounded the words from art critic Franz Roh, who created the word magic realism, to contemporary famous scholars such as Amaryll Chanady. - Analysis of deformation records This story "transformation" relates to workaholic Gregor, he becomes an insect and must deal with his current reality. The most difficult part of becoming an insect is to alienate your family and ultimately lead to his death. Reading the short story "Transformation" (1971) shows how small the difference between magical realism and magic is.

Mexican critic Luis Leal summarized the difficulty of defining magical realism by writing: "If you can explain it, it is not a magical realism." Regardless of the concept of magical realism, each writer expresses the reality he observes in the people For me, magical realism is the character's attitude in the novel. Both Leal and Guenther cite Arturo Uzra-Pietri's view, "Mankind is a mystery surrounded by reality facts, real poetic prophecy or poetic denial". It is worth noting that Pietri is always maintaining the definition of openness through lyrical and exciting languages ​​rather than strict criticism when proposing terminology of literary tendencies. As stated in the statement of 1948, gender

Gabriel Garcia Marquez 's novel "Loneliness of a century" is a novel often related to magical realism. Throughout the novel, mutuality between Bible texts is used to enhance the concept of magical realism. Magical realism is defined as an artistic style in which magical elements and irrational scenes appear in other real or "normal" environments. Marquez depicts the creation of a fictitious community in his book "Centennial of Solitude." At that time, the family of the Bueniad family, Jose Arkadi of Endia, slept and dreamed of a place where he and his family could live a good life. After waking up, he found a place on the river bank and called it a fictitious and perfect community, Macondo.