Narrative Technique in DeLillo’s White Noise

From the Puritan sermon, the importance of a strong personal relationship between the individual's self and Almighty God, and the relatives we find have developed widely in the history of the Republic. Imitation of doctrine. Joseph Hellas Catch - 22. One of the problems recurring in American novels is not limited to American sentences, but the position of the other's self is manifested in God, nature, community or other individuals.

With the publication of the eighth novel "White Noise" in 1985, DeLillo began to rise quickly to become a famous and respected novelist. For DeLillo, White Noise is a major advance in business and art, he won the National Book Fiction Award and became a scholarly classic of modern postmodern novelist. DeLillo and his reputation have not changed as ever. When he was asked to make a speech for the prize, he just said "I can not come here tonight, but thank you for coming."

DeLillo follows White Noise with Libra (1988), a lifelong speculative fictional point of Lee Harvey Oswald until the assassination of John F. Kennedy in 1963. For this novel, DeLillo conducted a large-scale research project involving reading at least half of the Warren Commission's report (later DeLillo described it as "Oxford English Assassination Dictionary" and Joycean's novel) The richness of the event, insanity and meaning, it missed about 1 ton of material. ") Originally using the name" American Blood "or" Texas School Book ", Libra was the international bestseller, the National Book Award Became one of the finalists and winners of the Irish Times International Novel Prize next year

Don Delillo is a prophet of an American novel. White noise was published in 1985, the final interpretation of the post modern era and the rise of technology. The hero is the head of the Hitler research department trying to escape death. Just as the hero and his friends visit the most popular barn in America, there are lots of irony, absurd conversations touching the ubiquitous image of our pixelated era. The tourists clustered in the barn did not see it, but saw the totem where the barn was, took it in the picture, and then clustered with the masses. When politics becomes a real show, his depiction of the real world DeLillo's reality distortion and real world and analog content can no longer be recognized is particularly noticeable.