Story poetry is not just a series of interesting stories, narrative poems have existed for hundreds of years, but they all tell stories. The story poems are uttered loudly and are rarely written down (usually because most people can not read or write). Also, at night, it is mainly spoken at night. We believe that they have existed for hundreds of years, and perhaps for a longer time. The title, "listener", "road people" are mysterious in their own work.
Historically, many poems are derived from verbal traditions. Recent Scottish and British folk songs, Robin Hood, Iskandar, and heroic poetry of various Baltic countries and slabs are intended to read rather than read. In many cultures there is still a vivid tradition of reciting traditional stories to the formation of poetry. Several unique features distinguishing poetry and prose, such as rice, rhyme, affirmation, have been suggested to allow the bards reciting traditional stories to reconstruct them from memory.
Recently Jeffrey Chaucer's knight's story knowledge and classics are more popular than stories and romance relationships. AC Spearing said in his return to medieval poetry: "We must understand that we should despise every kind of romance no matter where we are in Chaucer." 1 AJ Minnis, Derek Brewer, Robert Frank and JA Burrow Many of the contents of Joe 's lack of interest and sympathy for romance, especially sympathy for illogical and incongruous miracles of the story 2 Many of the contents of the "knight's story" It does not understand the best. Classicism clarified the view on order and justice in the story, but the mythical analysis suggests that Joe used Boccaccio Tescoider. But readers have long recognized that romanticism more fully conveys the knight's story than any other type.
The impact of Bosch can be seen in Jeffrey Chaucer's poems like Troilus and Crissde's natural goddess, Night's story, clerk's story, Franklin's story, Person's story and Mail's story house. Truth, former stad Fasnesse's age, short poems like luck. José translated the work at his Boece. Italian composer Luigi Dallapiccola used several texts for his choir Canti di prigionia (1938). Australian composer Peter Sculthorpe cited a piece of his content at the opera or musical "Rites of Passage" (1972-73), prepared for the opening of the Sydney Opera House, but it did not make it in time.