Nam June Paik Video Innovations

Nam June Paik Video Innovation Nam June Paik was born in Seoul, South Korea on July 20, 1932. He is the fifth smallest child of a textile trader. In 1947, at the age of 14, he studied composing with two Korean's most important composers and pianos. To avoid the destruction of the Korean War, the family moved to Tokyo, Japan in 1950. From 1953 to 1956 he studied music, history, art history and philosophy at the University of Tokyo. He completed his graduation thesis at Schönberg. In 1956 he moved to Germany to pursue interest in avant-garde music.

Nam June Paik, a world-famous visual artist, is a pioneer in the field of video art. Pike, known as the "father of video art," basically helped establish the name of Asian American art by creating video art types and applying Asian culture to his work. "Prior to Paik, no one used the video as a medium for visual art." (43, reader) Saper says. His idea and concept brought direction to not only Asian Americans but also other artists. Paik's work is based on strange video manipulation, which displays high-speed random images on the TV screen. Paik's innovative art forms include video installation, video sculpture and satellite art. In the early 1960s Paik joined the organization through Cage and contacted Fluxus Group. While using the magnet to manipulate TV signals and using various techniques to create kaleidoscope-like shapes and shining colors, I started making "modified television".

The idea of ​​drawing spectators into art is not new. It dates back to some of the video art of Nam Jung Pike in the 1960s. In one of his videos, "Life Sculpture TV Bra" (1969), he played cello naked and recorded the woman who saw the audience. In the video, there are people who seem confused, who seems to be confused, and people who look very good. Nam June Paike says that all the simultaneous occurrence of art and space is part of art. Art is the context, it should be the integration of the exhibition and the audience

Distortion was one of the earliest types of fault art, such as the work of video artist Nam June Paik, who created a video pattern by placing powerful magnets near the television screen and creating abstract patterns . Paik's physical interference with the TV adds a new image and the way the broadcast image is displayed changes.

Nam Jun Paik is a Korean artist who was a classic pianist who met with members of John Cage, Joseph Bews, Joseph Bews, and other Fluxus art movement, when he was studying in the West Germany in the 1950s. . Pike's art influenced by the theory about the power of the mass media of Marshall McLuhan is that the television is made up of physical objects (such as Charlotte Moorman and the playing of "TV CELLO" with a magnet-based device to distort the television picture ). (He created the term "Electronic Super Highway" in the 1970s and then used the title of the main video device)