Mythology to Modernity: The Rise of Realism from Rubens to Manet

This exhibition explores the classical image changes in paintings from the 17th century to the 19th century and explains how these changes progressively create realism. In the 17th century, Nicholas Poussin and Peter Paul Rubens' work corresponded to the classicalism of the French Academy of Fine Arts Academy of Arts, but they were shown in a completely different way. The advantages of painting and planning in ancient theme Poussin's work are in stark contrast to the dynamic use of color in Rubens' work.

French artist Edouard Man played an important role in the European art world in the 19th century. Manet operates in a unique style that fills the gap between two major art movements: realism and Impressionism. One piece that demonstrates this unique approach is a lunch on the grass ("Lédéuunersurl'herbe"). This is a big picture that became one of Mannet's and most famous contemporary art pieces. Édouard Manet (1832-1883), a French painter born in Paris, is known for his modernist painting style. Unlike many of his predecessors, Manet refused the traditional hobby of the organization Academy de Beaux-Arts, which supports the fables, history and mythical scenes in the year's picture and is responsible for this year's French art salon.

ÉdouardManet is the most important and influential artist and he realized that the poet Charles Bodeura requested the artist to be a painter of contemporary life. Manage has a growing experience of the upper class but has also been driven to bohemian style living and to criticize the French citizen and he has taken the academic practices of contemporary urban life and his surprising image I ignored it. He has been involved with Impressionism for a long time; he certainly has important influence on them, and he learned much from himself. However, in recent years, critics have also acknowledged that he also learned from his French contemporaries' realism and naturalism, and also learned something from Spanish paintings of the 17th century. This double interest in old masters and modern realism has laid an important foundation for his revolutionary approach.