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My Educational Life Through Photographs

2024-01-29 20:48:24

The first picture shows that I have my little backpack and are preparing for my first day in kindergarten. The function of this picture is to remember my childhood for my family and myself. It represents the importance of educating young children; I am concerned about this concept because they want American children to understand American culture and general themes. My parents and my sister saw the importance of education as my sister wanted to learn from me and to be very creative and knowledgeable about concepts and ideas.

As early as 1971, the photographer of the New York Times then. Coleman asked photography education to adopt what he calls "his new declaration of photography education". Collaboration in the fields of geography, music, science, etc. - In fact, all areas of learning are somehow related to photographic images. Unfortunately, his demands on such declarations have been largely ignored, as education is increasingly fragmented from the perspective of provisioning, financial aid and research.

I am the photographer of my life in 55 years. When I was 2-3 years old, my father, a passionate and very talented photographer took a picture of me and took a picture of him. Yes, my camera has a movie, I saw the picture. Unfortunately, that was lost when my father and my old pictures were drowning in the warehouse. Having a camera with my hand is only part of the natural order in my life. I do not remember seeing the world without composing to take pictures. When I was a child, I enjoyed plenty of time, I am trying photos, unexpected angles, viewpoints

I shot my favorite people. I shot my partner Cindy, the love and purpose of my life. I took my mother, my family, my friend, and myself. When there is no person taking a picture, I will take my own picture by myself. I check my face, emotion, mood. I have been thinking about the shortness of my life and the possibilities of my dearest and my own death. When I saw a lot of photographs of great photographers and artists of the past, I felt their souls blended into their image. When I saw Richard Avedon's picture and his theme portrait on a white background, I could feel the soul of Richard Avedon. I can feel his humor, humorous candid honesty, and his emotional connection and subject matter. I can see that Avedon is not in an attractive and dazzling state - he is looking for a deeper human heart. More real, real, and inner