Music of the Romantic Period

A famous German composer and pianist Ludwig van Beethoven produced a romantic drama at the University of Florida in 1798. That year may have been premiered, but it was not published in Vienna until 1805. Written originally for the violin and orchestra, today's version of the show was transcribed and edited by Peter Saiano as sax and piano. This time of his life, Beethoven is considered to be the greatest pianist still existing, and he is busy as a performer to tour Europe.

Tchaikovsky wrote music in the era of romantic music. The romantic period grew from the early 18th century to the early 19th century. The cultural focus of the art at that time was in the expression of inner emotions, but this concept was strongly embodied in Tchaikovsky's work and his emotional composition. In addition to composing Romantic era, Tchaikovsky is also a composer of Russia, influenced by Russian music and tradition. "Pathetique" was completed in 1893 and executed, Tchaikovsky died the same year. The fourth movement is a mimicking element of the trinomial form and sonata form. The ternary form has the ABA structure, the two "A" parts repeat the same melody and harmonic pattern, and the B part is quite different from the other two parts. The sonata form is a subtype consisting of three parts consisting of three parts. It is display, development, and reproduction.

Historians define the age of romantic music as 1800-1900. The romantic era of music format uses music to express stories, express ideas, and expand the use of various instruments including wind instruments. Instruments invented or modified during this period include flutes and saxophones. Music of the 20th century brings many innovations in respect of music performance and appreciation. Artists try new forms of music and improve their work with technology. Initial electronic equipment including sounder, theremin, onde smart knot

Naxos music offers rich classical music. Wagner's German text clearly shows German nationalism, but most German instruments in the romantic era reflect this language. Compared to French romantic music, German romantic music can become more sudden, like in two languages. When comparing Faure's Vocalise and Schumman's Erlkonig, you can see the difference and reflection of this language. If you only listen to the accompaniment of these vocal pieces, people will find their contemplative level for this language.