Movie Analysis - Charlie Chaplin's Modern Times 6 Pages 1450 Words

In "modern" Charlie · Chaplin's role is a typical "Walker". His house is a public place in the city. In this sense, he can easily compare with "Flaneur" of Walter Benjamin. However, as a working-class worker, the role of looking for money, food, shelter denied his freedom and pulled him away from him. Flaneur is basically a middle class romance. People who are fascinated by many people in the city still have the economic privilege of standing outside. Chaplin's role is proletariat, a person defined by his labor force like a machine. He is a product. His role and the dual role of proletariat are reflected in his unique image of the director's image and dialogue and his "small vagrant". Like a typical flaneur, he walked down the street looking for it. It was not a cheap thrill or idol entertainment. Instead, the work he is looking for will provide a definition of his roots existence.

In the article "The Flaneur" by Walter Benjamin, the authors believe that the first literary activity of this new type of urban resident is "panoramic literature" or "physiology". In these texts, various classes, beliefs, and types in the new and unfamiliar industrial era are summarized in various harmless comic groups. Benjamin believes that this anthropological style has a very important motivation. "People who can not hear you will feel worse than those you do not hear." In a new city, strangers suddenly gathered. The most extreme example is the new technology of traffic. In buses and trains people can not help watching these threatening strangers "for a long time, even hours". It is a pleasure to be able to treat these people as "harmless eccentric". It is only suitable for Chaplins

The most anticipated moment in the modern era is undoubtedly the first sentence of the cards. Chaplin did not actually speak in dialogue, but chose to break the silence of the playing card in the form of a song. In the modern era, just one hour and twenty minutes, the most famous person in the history of the movie conveys his first sentence in the form of a French song "Je Cherchez Aprèz Tineine" (sings). Although the lyrics of this song are gibberish, Charlie plays the songs in a pantomime and it is easy to listen to the theme of the melody. The version of Charlie's song is called "meaningless song".

There are few movies depicting the relationship between government and civilians to discuss Fritz Lang's "Metropolis" and Charlie-Chaplin's "Modern Times" Fritz Lang's cosmopolitan and Charlie Chaplin's modern day. Relations These are two highly rated movies made in the late 1920s and the mid 1930s. The captured period was the Great Depression, the role of management in these sections was examined, and Tramp showed us that there is no need to "talk" to tell the story. About 10 years after the launch of the first "intercom", the lack of "talking" in modern (1936) appeared to indicate that Chaplin opposed technology. It's not. Chaplin opposed the exploitation of mankind, but he accepted that technology. His movie uses a visual "special effect" and synchronization score.

Chaplin's sequel movie "Modern Times" originally planned to become Chaplin 's first minister' s Walkie Talkie. Charlie wrote a complete sound script like Chaplin's famous world figure "Little Trump." And eventually we will talk about movies, 77th movie of Chaplin here. But after mentioning the second thought, Chaplin turned around and decided to return to the idea of ​​a quiet movie. He believes that this tiny tramp is a universal character and his first speech will lose his world's audience.