Othello's morality and fate are as old as civilization itself. Whether humans can control their destiny. Whether that person is ultimately responsible for his action with higher powers. With William Shakespeare's drama, you can find basic human problems and conflicts, as well as situations, attitudes and problems that continue to have a strong universal meaning today. In his life, morality is at the forefront of social concern. Excellent people such as Newton, Copernicus, Bacon, Rock are leading the order and religious stability in the area of science and reason and combining the tremendous progress of these new ways with necessary
I do not think that the drama "Othello" is a moral drama. The temptation model reminds people of moral drama, but the title character is definitely not the image of ordinary people; Othello himself is not only because his skin is dark but also the typical of the world in which he lives It is not. That was somehow mercenary who got command of the Venetian army. In addition, Shakespeare gave him a past, including personal activities including not only military activities but also an abnormal mother 'most / charismatic people who can read ideas'. "If there is no other match, it is lost or forgotten" (III.iv.57-68). These are details that are almost impossible to find in an ethical game.
Women's role in Othello In the tragedy of William Shakespeare, Othello, the wife of the main character Dedemona, is the main female character. Second, the ancient wife Emilia was morally contradictory. Third, Michael Casio's girlfriend of Bianca who later appeared in the drama. In this article we will analyze the roles of these three women. At the beginning of the play, Iago convinced Didemona's follower Rodrigo rejected to accompany Othello's "innocence of destruction." Although it is part of reading the tragedy of "Othello", thought that being cynical and maliciously trusted secularly, weakening the idealized love is innocent It is. The divinity of hell "Operation of Iago Malignant tumor is an important factor of a tragic disaster, but it can also emphasize alternative value of drama through contrast.