Monologue of a Disturbed Personality: Original Writing

Discordant personality monologue: Original text is bright. Actually it is too bright. Oh, wait a second, this is a wall and a ceiling. This room is too bright. The ceiling is like heaven. The doctor opened the door and walked slowly towards me. "Operation advanced very smoothly, Elizabeth," he told me that he was wearing my overalls, white like snow, and the clouds were higher than I wanted to see. "Please, doctor ..." I replied. He is very rude and does not even introduce himself.

Note: The first three examples are unambiguous. Today's traditional wisdom does not encourage writing of long dialogues, not to mention monologues. However, as you saw above, monologue is a good way to introduce characters. That is, most of the time that you use conversations with character introductions is used with other narrative elements. In scripts, dialogue is intentional communication. Perhaps this aim is more obvious than introducing characters. Because we can communicate their exposition, reveal their inner life, distinguish them from other characters, and use the dialogue to guide the new player to the story.

Monologue, literature, drama, extended speech by one person. There are several closely related meanings to this term. A dramatic monologue is a speech that a character has spoken to others over a specific period of time. A monologue is a monologue where one character speaks directly to the audience or talks loudly when he or she is silent, while the other actor is silent. In an imaginary literary work, an inner monologue is a monologue that expresses thought, emotion, and association through the role of thought.

Monologue of the Midsummer Night's Dream is a continuous speech of characters in the drama, monologues occur when people talk loudly their thoughts, quote another character directly, or talk to the audience . In books, the monologue of the night's dream of the night is overused because the writer (Shakespeare) intends to let the character interact with the audience. - William Shakespeare's fifth acting in "The Midsummer Night's Dream" A: The first performance seems to be completely unnecessary for the overall plot of the script. After all, in the fourth act, we can not only make love love marriage, but also solve the whole conflict happily. Therefore, what is directly asked is why Shake Spear thinks that it is necessary to include this action.