Mongolian and Palestinian Arts

There are many advantages in diverse societies, but conflicts between different cultures occur. The core of all cultures is the creative expression and the power of the celebration of life. Each culture has its own unique way to express its creativity and art. Although Mongolian culture differs from Palestinian culture, these cultures can resolve the conflict and reach an agreement through artistic expression, thereby realizing a more harmonious coexistence method. Mongolian culture has various instrument and song style.

Before discussing Mongolian calligraphy, we must understand the history of people in Mongolia. Our Mongolians have their own history, customs, culture and traditions Mongolian letters are called Uighur language. Calligraphy in Mongolia is a traditional Mongolian text - Uighur handwriting skill. Many beautiful pictures are drawn. Street graffiti is almost new in Mongolia, it has been around 10 years ago, but recently it grew very quickly. Since it is a brand new, there is no law. However, there is nothing like destroying Street Graffiti. What we are doing is, of course, graffiti art on the street. Our city council also encourages and supports street art festivals and competitions.

BMA stands for Bid Mongol Aguulga ("We are Mongolian content" in English). BMA is an association of Mongolian designers and artists. We will create art together. For example, I started a creative poker project. The artist cut off all the playing cards and made their own playing cards. If you want to see our art, please visit / facebook.com/aguulga/.

Orkhontuul Banzragch is a visual artist whose extraordinary paintings are gaining more and more attention in Mongolian art world. Since his paintings were painted in the treasure trove of Mongolia in 2014, the work of Orkhontuul has been welcomed as a new wave of Mongolian art. His style is unique and does not comply with the traditional Mongolian art model which may include horses, wolves, nomadic warriors, and predictable images of the wilderness. On the contrary, Orkhontuul often likes portraits that are based on himself or someone in his life. He uses his art as a vessel and includes modern Mongolian fighting - including the crisis of public identity, the collective nostalgia of the so-called glorious past, and other social political themes - including modern issues Told. Therefore, despite his contradictory form, Orkhontuul is widely regarded as an artist who creates true Mongolian art.