Modernism In Works of T.S. Elliot And James Joyce

Introduction: Modernism is a term often used to understand the new unique characteristics of themes, shapes, concepts, literature and other arts in the early part of the century, especially after the First World War. (Abrams 167) "Modernism" is often "intentionally and thoroughly" destroyed with some more traditional artistic and cultural foundations (Abrams 167). Peter Childs states in his book "Modernism" as follows. "Modernism is almost universally regarded as literature, which is a crisis, not just a change"

If modernism can not be closely tied to the times, can it be defined as a style? Writers' work is most relevant to modernism - T.S eg Elliott, James Joyce, Virginia Woolf also seems to share some common features. Attention to the city, not the state, attention to the role of the speaker, and interest in the inner life of the speaker as my suggestion New approach to languages ​​and literary forms, but these functions are called "modernists" It is difficult to maintain with all the work that is often done. The poems of Yeats are about cities, for example, in the foreground experiments of Lawrence 's novel there are few story shapes. In addition, "modernism" is not a term these writers used to describe their own sentences. Please use. Robert Graves

The period between the two world wars was often called modernism, written by Thomas Mann, Franz Kafka, Andrigido, Jean Cocteau and others. Elliott and James Joyce. Even in American literature, older, more mature writers (Willac Kaiser, Theodore Dreiser, Sherwood Anderson) continue. . It was deeply influenced by the First World War, it was inspired by the literary possibilities opened by Juiz Ulysses and TS Hemingway, Fitzgerald, Elliot's led by Faulkner "The Waste Land" Published in 1922) has created an unparalleled creation of wonderful creative talents that formed a unique American alphabet. period

The work of British writers best represents the complex combination of these features of Virginia Wolf, James Joyce, T.S. Eliot, William Golding and many other critics consider the latter to be postmodern, but many features on his work that clearly associate him with modernism as it will be later revealed in this paper there is. Modern aesthetics are nostalgic but sublime aesthetics. It allows the deficiencies to be presented only as missing content; however, due to its distinguishable consistency, the form will continue to provide comfort and enjoyment to readers or viewers. The postmodern becomes modern and incredible things are presented to the presentation itself; a kind of accusations denying a good form, agreement preferences collectively make nostalgic feelings unrealizable It enables you to share. To convey stronger, unrecognizable feelings (Leota 46)