Modern Photograph and Realism

There is a contrast between liquid water, granular stains, smooth plant texture, and hard and rough mountains. In 1930, the beautiful and unforgettable picture of Walker Evans "Factory Street in Amsterdam in New York" recorded the impact of the Great Depression. This picture seems to be almost alleys. Thanks to the moist and smooth floor, you can see that it was raining before. The first thing to draw attention is that the long way goes back indefinitely, directing your eyes from the foreground to the background, creating the same depth of field as the Shore's picture.

Robert Frank, as one of my heroes of my greatest photographs, says, "The photograph needs to include the human nature of that moment, but realism is not enough.You can see good photos together You can take a picture. "Vision is the reason people hire professional photographers. As old proverb goes - we take pictures instead of taking pictures. Customers do not want pictures of wedding guests to take, but we must respect them.

In contemporary art, the terms "photorealism", "photorealism", or "photorealism" refer to a highly detailed 20th century realistic painting style that an artist attempts to reproduce from photographs with its subtle precision I express it. As image movement, photorealism, also called Surrealism or Surrealism, became prominent mainly due to Chuck Close (b.1940) and Richard from the late 1960s to the early 1970s. Very realistic sculpture by Estes (born 1936), John De Andrea (born in 1941), Duane Hanson (1925 - 96) and Carole Feuerman (born 1945). As perfectly representative, graphic art is contemporary abstract natural confrontation.

Realism is widely regarded as the beginning of contemporary art. Literally, this firmly believes that everyday life and the modern world are appropriate themes of art. In philosophy, realism accepts progressive goals of modernism, reexamines traditional values ​​and belief systems, and requests new truths by reversing. Realism is related to the social, economic, political and cultural structure of the living of the mid-19th century. This leads to the use of a dark, rustic palette to confront the firm, sometimes "ugly" depiction of an unpleasant moment of life, and the ultimate beauty of elegant art.