Misery

Suffering story map Sidewinder Colorado - Novelist Paul Shelton wrote a character named Misery Chastain. I encountered a car's remains on a frozen road of Rattlesnake. He was surprised at drunk as he celebrated the series after the series. Paul smashed both legs, dislocated the pelvis, and crushed one of the knees. So he rolled down from the side of the road and was beaten unconsciously. This is very important for the character. Because it makes him very sensitive to his "number one fan" Anne Wilkes, Anne Wilkes will not let him take him home.

The members of Misery quartzite are here named Misery Eidge (Brassua Lake quadrangle), but the type is located in the northwest end of the railroad through the Misery Ridge in the east of Tarratine in the same quadrilateral. The Misery quartzite component is a relatively thin interstitial quartzite, dark sandstone and slate unit, accounting for about half of the map near the top of the formation. In the presence of this member, it divides the taratin layer into upper and lower parts. Ritology quartz site may occupy 30% to 50% of the total thickness, but its resistance gives it a big impression. The quartz site is light gray on both natural and fresh surfaces and is cut by many small randomly oriented opalescent quartz veins. It consists of fine sand to medium sized quartz particles, approximately 90% corner, containing approximately 10% feldspar and slate particles.

In the story of Anton Chekhov's "suffering", it is the theme of despair and suffering. The surroundings expanded the mood of the main character Iona Potapov. Cold and gray surrounds Iona Potapov, he is very miserable. Iona Potapov wants to talk to other people about his son's death, but no one hears. Iona did not tell anyone, he had already resigned to talk to his horse. At the beginning of the story, Anton Chekhov set the environment for this story. "Dusk of the night"

The role of Anton Chekhov (Iona Potapov) is difficult to deal with his loneliness in "suffering". Through Iona's devastation due to the death of his son, he could not express his sorrow that continued to stimulate his pain. Chekhov emphasized this quality through dialogue with Iona, officers, three people, and his horse. At the beginning of the story, Iona escorted a policeman who does not want to hear his story. First of all, it is difficult for the driver to express itself to police officers. He says something is obviously "to see his fare and move his lips", but there is no result. Iona is desperately looking for someone who can share sorrow. If Iona begins to tell the story of his son's death, officials will be focused somewhat. The stakeholders were not interested and were more concerned about the destination, he ordered the driver to continue driving. Iona can no longer attract the attention of police officers. Iona finished nothing, and the pain became increasingly intense.