The Mie Zen scene is a French drama term meaning "to be placed on the stage", more precisely the placement of all the visual elements of a theatrical work in a particular game area or stage. The exact area of the stage area or stage is contained in the stage arch that surrounds the stage in various frames. However, entering the auditorium or audience area makes the performance area more ambiguous and fluid. Regardless of the edge of the stage, the scenes with a fine view are three-dimensional continuations of the space occupied by the audience, such as depth, width and height.
MISE-EN-SCENE: Arrangement of all the elements arranged in front of the camera. Mee-zen scenes are arrangements related to settings and props, clothes and cosmetics, actors and scenes, lighting and other related matters. Writers often talk about two important ways of filmmaker style. Describing the contents in the scene frame and editing the sequence and length of explanatory shots. MONTAGE: French words are used for editing. Bold Soviet In the 1920s and 1930s, the montage meant a knowledge montage. 2) In Europe, this term is equivalent to editing. 3) In Hollywood, the phrase "Montage Sequence" is used to describe the use of a normally overlapping dissolved sequence to create a kaleidoscope-like effect and shorten or shorten the passage of time .
Timothy Corrigan (1994) defines that mise-en-scene is roughly translated in French as "content placed in the scene" (content placed in front of the camera). Mise-en-scene refers to all the properties of a movie image that exists independently of camera position, camera movement, and editing. He said that scenes included clothes, scenes, lighting, quality of performance, and other shapes, objects, and characters in the scene. According to Graham Roberts and Heather Wallis (2001), building a movie language has three elements. This is Miséen (content to shoot), movie shooting (shooting method), and editing (how to organize these materials). These clearly distinguish the meanings of these three elements
In this article, I am going to disassemble the two scenes from the movie. Please watch Mishine and Mishine. Mise-en-scene is everything that creates scenes in front of the camera and Hitchcock can only do something if it makes sense. The Mise-en lens is the opposite - the behind-the-scenes works of lens works create emotions and build shots in Hitchcock movies. The opening scene begins with signal intersection and image reflection. This can be seen as a predictor of the character of schizophrenia in Norman Bates. The wide pan lens determines that the surrounding environment is a city and the audience can see the exact time (2:43 PM). The camera zoomed in to the window of the room, the blinds were pulled out and the camera sneaked in secretly as if it were a thief Tom. Characters in the room, Marion and Sam obviously hidden the blinds in the middle of the day, and the audiences secretly entered them to make them part of the secret.