Milton's Satan

Milton's Satan in Paradise Lost is a complex personality and means the evil personality in the epic. Satan tries to destroy God and the god 's child, the true hero of the story. Throughout the story, Milton tells the reader that Satan is a character of the devil, meaning it is a character of evil and is shown as completely ruthless personality. I believe that Satan's greatest sin is pride and vanity and can beat God. In the early days of poetry, he was expressed as being selfish.

Milton's Satan has a unique combination of magnificent grandeur and hypocrisy. Through direct comments on Milton's Satan, I realized it through his explanation of Satan and the magnificent image he used. Of course, you can start with their face value as well as Satan's explanation. In addition, the simplicity associated with his spears and shields is to create size and miracles. However, other explanations and similarities implicitly help clarify the meaning to danger and threat. For example, when Satan is "prone to flooding" (I. 200-2008), Satan compares it with the sea monster. In this comparison, the size is the main impression. But once a big impression is made, this similar thing will spread to the story of a picturesque boat and seafarers will prefer to evacuate to the dark sea. The story here is one of the tricks. Sailor is not safe, but he just thinks he is himself.

Some people think Satan has allowed Milton to develop into a more attractive role than Milton's Milton theology is a true hero of John Milton's great epic "Paradise Lost". In the words of Banisalamah (2015), people of the 17th century were encouraged to pursue the freedom of the kings and the Roman Catholic Church through the revolutionary work of the Puritan poet Milton and to improve their condition. This is a rebellion against Satan's god and this rebellion makes him look like a hero to the eyes of some critics and readers. This view began in the era of romanticism, which opposed all forms of established authority, emphasizing the development of personality (whether a writer or one of his characters). Other romantic critics endorse this view with great enthusiasm