Michelangelo's David

Michelangelo's David Michelangelo Buonarroti (1475-1564) is a sculptor, painter, poet and architect in Florence. Based in Florence, he was 13 years old and started to work as a painter as an apprentice to Florence's main mural painter Domenico Ghirlandaio. After all, his ambition led to sculpture. Michelangelo has ideals based on the expression power of male nude. Michelangelo is engraved in a naturalistic style, its main feature is to draw the theme in a realistic way.

When I started to compare two different statues of David, Bernini's baroque "David and Michelangelo's Renaissance David", the first thing I caught my attention was face. Characteristic When I study Michelangelo's face of "David", I feel calm. His face had little emotion. This is a man who is ready to face the giant, just a sling, a stone, and his faith in God, but his face has no emotions. There is no fear, anger, fear, determination, signs. This is a ruthless gaze, as if he knew what he had to do and was satisfied to complete the task.

Brown called Michelangelo's David "David." This is not a mistake made by art historians like the main character Robert Langdon. Michelangelo's David is not the only important sculpture of David, it is not the only sculpture in Florence. Calling Michelangelo's sculpture David is a shorthand showing that the author has no serious knowledge. Dr. Sienna Brooks' brain, after talking about her 208 heroes (Stephan Hawking has only 200 points) and the degree of her imbalance, Brown explains her as an unfamiliar mask to Vedic Carnival Pest physician did. Everyone who has been to Venice and even has seen a documentary on the traveling channel of Venice will know

David is a marble statue of 17 meters in length written by Michelangelo representing the Bible protagonist David currently displayed at Galleria dell'Accademia in Florence. I debuted in the city in 1504. The explanation of Michelangelo's David (known for killing a giant in his sling) is epoch-making as it does not describe the giant Goliath at all. David statue before the fight with Goliath - the moment between conscious choice and action, the symbol of power and youthful beauty. Michelangelo, as an interpretation of the Renaissance classical Greek style statue, has created a unique beauty to be seen by people to be truly appreciated.

Like Sistina's ceiling, Michelangelo received an art license here. Michelangelo did not pay close attention to this story as his own David like Donatello, but drew David as a young, weak person. Michelangelo gave David a powerful and confident posture and physique that can challenge the power of the powerful Goliath. Donatello revealed that David attributed his victory to the divine intervention of God, but Michelangelo gives us a sculpture of powerful, heroic, even intellectual and strategic person It was. His expression suggests that he may be planning his attack. This personal opinion certainly will resonate with the ideal of high Renaissance from the humanistic view of the artist.