Metropolis: influential movie masterpiece In 1927, when Fritz Lang produced and distributed the film Metropolis, he made his own place for film history. This movie has had a great impact on the movie industry in many ways. A large city is regarded as a German landmark movie to many people. This movie sets many standards for today's science fiction movies, such as "Star Wars", "Blade Killer", "Space Roaming 2001". Lang can catch a glimpse of the future with the mob scenes, make models for the robot, and have provided elaborate scenes including hundreds of workers.
Warning Dystopia movies can be traced back to a quiet era for at least Fritz Lung's 1926 masterpiece Metropolis (one of the 45 movies of the 1995 Vatican movie list). Like a hunger game, Metropolis depicts a very stratified sci-fi world where masses like drone are enslaved to drive urban machinery while elite privileged classes live in heavenly conditions I will. Finally, it suggests that class conflict between capital and labor can only be alleviated by sympathy and justice: "The mediator between the head and the hand must be an inner heart."
One of the biggest and most innovative movies ever in history is the 2000 silent film, the German director, the classical school of Fritz Lang, the expressionist, and the masterpiece of technical fantasy (1927). Wing Killer It features an evil scientist / magician named Rotwang, a socially controlled future city, a beautiful and sneaky female robot Maria (probably the first robot of a feature film after Star Wars) I will. George Lucas' C3 - PO provides inspiration), layered society, suppressed slavery underground industrial worker race. Even today, this film is highly appreciated by its original, futuristic settings, mechanized social themes, huge underground floods - it seems to accurately predict the essence of society in 2000.
One of the first movies to reflect and raise the sense of technical phobia, one of the first movies that greatly influenced is Fritz Lang's quiet German classic big city. This movie is a foresight masterpiece depicting a system of futuristic and complicated skyscrapers built for slavery that took place in 2026, 100 years after writing. The citizens of the metropolitan area can be clearly divided into two categories. Rulers and slaves. The elite live on the ground, rule the working class, stay in the bases from birth to death, serve a monster machine constituting a large city. The only hope that workers wish to escape is the women's savior. The totalitarian ruler knew that she could provide freedom and plot to her and replace it with a robot. Unavoidable rebellion and destruction