Merleau-Ponty on Beauvoir's Literary-Philosophical Method

Merleau-Ponty of the Beauvoir literary and philosophical approach Abstract: The modern philosophy of the mid-19th century is particularly relevant for selecting, adapting and inventing literary forms to suit the particular philosophical subject being studied I'm interested. Simone de Beauvoir explicitly refuses the formalistic division between literature and philosophy and is one of the most interesting contributors to the contemporary development of philosophical writing. Contribution to Beauvoir 's philosophical approach is somewhat confusing, as she is used creative in literary forms of philosophy - novels and short stories -.

Simone de Beauvoir is one of the most outstanding existential philosophers and writers in France. In cooperation with other famous existentialists such as Jean-Paul Sartre, Albert Camus, Maurice Merleau-Ponty, de Beauvoir produced a wealth of writings such as ethics, feminism, fiction, autobiography and political writing. Beauvoir's approach covers various political and ethical aspects. In "Ethics of ambiguity," she developed the existential ethics to condemn the "serious spirit" that people easily agree on a specific abstraction and sacrifice individual freedom and responsibility. In "Secondity," she made a clear attack on the fact that history has been downgraded to "unique" areas throughout history. And passively accepted the role society gives them. In Mandarin, she imagined a struggle for the existence of ambiguous social and personal relationships at the end of World War II.

Morris Melo-Ponty (1908-1961) was often associated with a philosophical movement related to the phenomenological approach developed by Edmund Husserl (1859-1938) in the early 20th century. Merleau-Ponty was greatly influenced by celebrities such as John-Paul Sartre (1905-1980), Simone de Beauvoir (1908-1986), Emmanuel Levinas (1906-1995) and later Jacque Derrida (1930-2004) It was. It was influenced by the later Husserl philosophy such as "The crisis of European science and transcendental phenomena" (1936) and the unreleased manuscript of Rusuban Husserl archive

In the 1940s, Maurice Merlot-Ponti in Paris cooperated with Sartre and Beauvoir to develop phenomenology. In Perception of Perception (1945), Merleau-Ponty developed a rich variety of phenomenology that emphasized the body's role in human experience. Unlike Husserl, Heidegger, Sartre, Merleau-Ponty sought experimental psychology and analyzed the experiences of disconnectors who feel a sense of illusion. Merleau-Ponty rejected associativeist psychology focusing on interrelationships between emotions and excitement and intellectual psychology. (Think about the model of behavioral psychology of empirical psychology and the model of computational psychology in recent decades.) Instead, Merleau-Ponty is a "body image", our body experience, and we Focus on its significance in activities. Since the body image is neither in the psychological field nor in the mechanical and physical field