Merku Thodarchi Malai (2018)

Rangasamy is a worker living in the border between Kerala and Tamil Nadu, like a hard work at a spice farm owned by the same soil son, landowner. But Rangasamy was satisfied with his life, he had land and was eager to make a living in agriculture. Local politician Chacko finally came true after his years of struggle for him to purchase land, he had to deal with not only corrupt politicians and wealthy people, but also movies So, but he immediately faced a more serious challenge flowed

However, the nature and details of the direction and details of the relationship between the development and the relationship between development and development In particular, the story of an attractive, yet more attractive Merku Thodarchi Malai, these are links between nature and farmers . He believes that he plays in a picture called "Aadhalal Kadhal Seiveer" of his sleeve, he asserts his thought, "It should not be projected only for magic movies there, but also for their I live in the real tone of the descendants. "Because his parents work at the cardamom farm near Thalayankaavu Udubanchola in Kerala State, he said, Merku Thodarchi Malai is in touch with Cardamon farmers West Jiate scope, also does not just catch a glimpse of his past catch.

Tamil film industry, diluted with Communism, explained by Idoli, Merku Thodarchi Malai Undecorated shows workers exploitation. This is important. Lenin seems to ask, so it is enthusiastically obsessed with the development of the country, and film is necessary "When you say" development ", are you talking about that development?"

Merku Thodarchi Malai, it is not a common commercial movie, which requires patience to see pure art movies. Very slow to see this first half, you need a lot of patience. An actor is very realistic, even though another real world dialogue is often the same overlapping dialogue. However, in terms of performance, everyone really truly is not noticeable in the role, especially as we can treat it as a village person so that the role of making a movie. Even the framework does not focus on capturing specific actors or actress moods Everything is captured, as if our eyes are placed somewhere near them

With its fine lens and Teni Eshwar camera, you can marvel. In the view of the film in the mountain, it automatically means that picture. But Merku Thodarchi Malay not only rely on this but also shows many of the opportunities to move mountains and clouds to make the film more attractive. A great shot is also relevant here. For example, as used herein, we began to show the same old lens from the corner on the top of the hill. Even if a man from Kerala state and a man in Tamil Nadu state to meet a company that broke up with the exchange hope in their own country - there is no boundary line ...... but that is the end There is not Mountain view