There are many arguments in movie research about movies being treated as melodramas. Filmologist Steve Neil 's article "Scenario and Female Film" explains the paradigm shift experienced in the 1970s since the melodrama was quiet. Meanwhile Christine Gledhill's article "Reconsider type" and "Plot Theater: A Survey" indicate that the melodrama is just a model and not a de facto type. Thomas Elcell's article "The Story of Sound and Anger: Observation of Family Memo Dramas" identifies different types of melodramas.
The content of the melodrama is based on the history of the American drama, and today it depicts Hollywood movies, family and romance, dissolution and betrayal, violence and terrorism. Lorde's melodrama may be all of the above, thrown into the madness of a family gathering. Like she told the New York Times, "There is a party, there will be a wonderful song at that time you will be in trance, then you do not think you are in the bathroom by looking in the mirror You look nice and you start to feel terrible. "The party is also a broad genre.
Some of it is beyond its impossibility; I do not know what it says. The structure of the melodrama is very impressive, but I always want to remind myself what these tracks have - "wake up" and "awakening II (sound drama)" or "responsibility" and "responsibility (Relapse) "Every relationship will help each other. The latter was the re-enactment of the former ghost, which eventually took us to another place. This is a planned surprise with close attention and will surprise you every time. The moral mystery here is obvious and unrecognizable, and it is by no means easy. Very few melodies
There is a clear distinction between pure drama and melodrama, but split line is not visible. Some overlap with another one. The pronunciation melodrama is an exaggerated pure drama. When the dramatic movement of the story becomes sensational, it approaches the melodrama. Characteristic of the main character of the melodrama, regardless of whether it is good or bad, somewhat overdraft. Heroes and heroines work very well, but opposition factions are very violent. Murder, kidnapping, plundering, robbery, demon plot etc are in the melodrama. Here we have a pure physical confrontation. In a romantic drama. Or an ideal type. We are fighting a more spiritual fight