McGuinness' Exploration of Caravaggio in "Innocence"

Innocence is a fictional literary work, but it is clear that McGuinness explored his art in the actual artist Caravaggio and its drama. McGuinness showed an attitude towards Somme in "innocence" and "observing the son of Ulster", and he was very interested in the role of the artist himself. It is through the world where Caravaggio and Pyper's powerful role and McGuinness put them, and we truly understand that McGuinness drama is to explore the art world.

For example, looking at Caravaggio's "Amor Vincit Omnia", you can see a typical portrait of Caravaggio while separating art from an artist. Dramatic contrast of brightness and darkness, and very real observation of objects and humans. But considering the role of Caravaggio, I know that a naked preteen boy in this painting is an assistant of Caravaggio and is considered to be a person who has sex with Caravaggio. This information provides new dimensions for the image. The smile on the face of Cupid became more ominous, the legs were placed on the chair, the genitals of the little boy moved forward around the image, and a new meaning was given to the picture. The role of Caravaggio here definitely influences the way we observe the painting and stimulate the dialogue surrounding it. Completely separating art and art is an injury to art

Caravaggio is a painter known for his wonderful personal life and wonderful portraits and still is still life and painting. Born in Michelangelo Meriti known as "Ballock's Bad Child", Caravaggio made some of the most famous paintings of the Baroque period. The work of Caravaggio is especially easy to see and many people live in the church so you do not need admission fee or minimum number of people. He grew up in Umbria, but Rafael became a Roman star artist. One of the most famous painters' paintings, the Athens Academy (which is deeply impressed by Michelangelo due to its vivid depiction and rich colors) is a wall painting of Rafael, one of the apartments. The room is one of the most popular attractions. View the Vatican Museums

Michelangelo Melissi de Caravaggio (1571 - 1610) was welcomed as the most controversial painter at the end of the Italian Renaissance. In times when the Pope himself was spoiled, corrupt and immoral, Caravaggio's sexual harassment, his violent tendency, and contempt for the law made him a sea urchin of Italian aristocrats. Only the caravaggio's bad reputation and successful success are promoted. Caravaggios is devoted to artistic creation when he was an apprentice in 1584