Max Ernst

The use of symbols in Surrealism and the significance of Max Ernst in these paintings have had a major impact on the concept of my experimental art creation. He is a German painter, sculptor and graphic artist, but he is also considered one of the leading pioneers of the Dada and Surrealists movement. They aim to resist everyday reality by exploring the construction of unconscious mind. People can think about the reality and reality of our world by exploring ideas by investigating human desires and changing reality.

In the first part of this series, we will review the history of casting on the four Max Ernst bronze that was exhibited at the "Max Ernst: Foreign Paintings" exhibition at the Museum of Modern Art. Two of the pieces, Moonmad and An Anxious Friend (both actors of 1944 and 1973) have strong literature: they are done by the modern art foundry according to Ernst's request, then directly to the museum Sent. The modern art museum and Queen's cast (1944, 1954 cast) have not been completed. However, as a result of investigating the archive of Modern Art Foundry Company and the Ernst catalog of Werner Spies, it was confirmed that the Museum of Modern Art performed a 6th grade to 6th grade performance at the Modern Art Foundry in 1954.

Last summer, the Max Ernst bronze of the MoMA series was reviewed before the opening of Max Ernst: Beyond Painting (September 23, 2017 - January 1, 2018). This cross-cutting survey of Ernst's cross media experiment is the first compilation of all the museum's works. When I was watching installation protection and curation record, four selected bronze aroused my interest. Moon, an uneasy friend (1944, actor 1973), king played with the Queen (1944), actor 1954) and Birdhead (1934 - 5, without actor date). These four files show the connection to Modern Art Foundry, but there are several gaps in the record. I decided to contact the foundry to see if they can better understand the sculpture.