Maus Two by Art Spiegelman

Art Spiegelman's Maus Two Art Spiegelman's Maus II is a book talking about details about family struggle for the Holocaust. It gives us the idea of ​​the soul of the survivor's child and how the Holocaust had affected him and many others who had never lived there. Maus II allows the reader to see the impact of Art Spiegelman's soul and the two parents surviving the Holocaust. Spigman showed the influence of being a child of a survivor in various ways through the book.

Mouse is a graphic novel written and drawn by cartoonist Art Spiegelman. This two part novel was serialized between 1980 and 1991, depicting the journey of father and massacre survivor Vladek Spiegelman. Through a series of personal interviews with his son Art, Vladek is a series of time series anecdotes, but I remember his journey of survival. Through the novel, while interviewing fathers, art is always alternating between past and present stories. His illustration depicts humans as animals. Jews are mice, Nazis are cats, and Paul is a pig. Maus I: Survivor's Story and Maus II: Here my troubles began and the interview took place in several places, including Vladek's house in Lego Park, the cabin in Catskills, and the room in LaGuardia.

In Art Spiegelman's graphic novel "Maus", the use of a mask is very important. Maus was a story of his life as Art's father, Vladek Spiegelman, and Polish Jew, and was sent to the notoriously notorious Auschwitz concentration camp. His father survived, and here we won the Pulitzer Prize and many other awards, we make crazy stories. There are many controversies over this work, critics complained that such serious topics could be conveyed to characters drawn as animals through graphic novel media. Maus is a different type of genocidal story, as the mouse is depicted as a Jew, a cat as a German, a pig as an American, a dog as an American, and a french as a frog. Even with the use of animal identity, it is important to use masks in this story. I think the use of masks by people of mice is very important for storytelling.

Art Spiegelman tried to finish the mourning at Maus by first arranging different timelines and then dividing himself with the father into roles being presented in different styles. Maus: The story of survivors: History of bloody bloody fathers from the mid-1930s to the winter of 1944, Maus II: The story of survivors: From here my troubles are "From Mauschwitz to Catskills etc." Art Spiegelman who lives between 1906 and 1982 was born in 1948, and between 1978 and 1991, two books about Maus whose fathers are still alive and have continued for years after his death I wrote a book of. But in 1945 Artie passed the liberation from Auschwitz and remembered Vladek's story about the story of life in Poland in the 1930s, so the "now" of the story was 1978 - 79 years. First, there are two flashbacks in Rego Park in New York in 1958, and in the inserted manga by 1968 "Prisoners on Hell's Planet".