Masaccio: Masaccio, the innovator of the vision and fantasy, is the largest Florentine painter in the early 15th century and is considered to be one of the most important figures in Western art. Tommaso di ser Giovanni Cassai di Simon Guidi was born in 1401 and was called Masaccio Careless Tom from its attitude. He is indifferent to his own property, as he is indifferent to things like personal appearances and secular things. As a child, he is more focused on his art than himself and others.
Brunelleschi is an important innovator in other fields. Along with painter Masaccio, he was one of the first Renaissance masters who summarized the law of scientific opinion. He produced two perspective paintings, probably lost between 1415 and 1420. And he was praised about his architectural background with Masaccio 's earlier works.
Masaccio: Masaccio, the innovator of the vision and fantasy, is the largest Florentine painter in the early 15th century and is considered to be one of the most important figures in Western art. Tommaso di ser Giovanni Cassai di Simon Guidi was born in 1401 and was called Masaccio Careless Tom from its attitude. He is indifferent to his own property, as he is indifferent to things like personal appearances and secular things. - Features of Florentine paintings embodied in Masaccio's work The Italian Renaissance is one of the most productive era in art history, with numerous excellent master paintings, sculptures and architecture in the center and all major regions There was. In Florence, in the first half of the 15th century, there was an excellent innovator in all of these fields. And their work showed the beginning of a new era in the history of art.
Florentine master, Masaccio established the direction of a new painting that will last for 200 years. Masaccio learned how to use perspective in order to create the illusion of the space in the painting from the friend Brunelleschi. The character quality of his character's sculpture may also be influenced by Donatello. Masaccio's most famous work is a series of mural paintings drawn around 1426 by the Brancachi Church of Santa Maria del Carmine Church in Florence. These paintings with Giotto's realism have been praised and studied by many later artists including Michelangelo.