Martin Esslin Critical Essay

In an important article written in 1969, Martin Esslin comments on the beginning, the middle, and the last job of Ibsen's career. He chose to write articles on Hedda Gabler in the medium term about Ibsen. His writings are very complicated, but most of them are identifiable. He wrote that "Hedda Gabler is his last rigid realism drama" (237). He also explained that Hedda Gabler "is not about people, not about ideas" (237). Ethlin is the most impressive one.

Martin Esslin is a famous drama director, scholar and critic who analyzes the drama by making use of the practical experience of the drama director. Eslin implicitly assumes that if the drama is the best artistic genre, he declares his book directly. It is "paying attention to all forms of art appealing to drama, not communication". Then Eslin immediately asked another question, he is thinking this question as a prerequisite for the first question: "What is the basic essence of the drama form? The drama can communicate in any other form of communication Do you have more expressive power? "Essling's books are included

Critic Martin Esslin created the word in his article "The Absurd Drama" in 1960. Just as Albert used this phrase in 1942 's Myth of Sisyphus, he tells these plays based on a wide range of themes of absurd themes. Absurd forms of these plays are people who are being dominated or threatened by human reactions to obviously pointless worlds and unseen external forces. Although this term applies to a wide range of plays, many plays have several features: usually resembling a juggling show, mixed with fear and tragic images, desperate situation characters repeat Dynamic or meaningless behaviors, cliches, dialogue between word play and nonsense, whether it is imitation or disapproval of modernism, and concept of "crafted drama"

Critic Martin Eslin noted in his book that contemporary playwrights such as Samuel Beckett and Eugen Unescu are more involved in fever and Arthur Adamov in their play. Faith, we have a real meaning of a loose absurd life in the universe. Eslin pointed out that many of these playwrights worked better in patio and crowned plays. The majority of these playwrights have since been labeled "absurd" (based on Esslin's book), but denying anti-philosophy as firm and determined with existentialism. In existentialism, playwrights are often associated with existentialism based on the observation of Eslin.