MARSHALL MCLUHAN Visual and Acoustic Space

3 "Today, thanks to the electric technology of more than a century, we have accepted the central nervous system worldwide, negating space and time while watching the earth." MARSHALL MCLUHAN, Understanding the Media, 1964

According to McLuhan's proposal, Western society complains of linearity is due to speech characters and is limited to human languages ​​and 26 letters. Result is?

Marshall McLuhan introduced the concept of visual and acoustic space in the development of media ecology. The visual space appeared in the ability to read and write, reinforced by the Gutenberg printing press. According to McLuhan, the acoustic space as a verbal traditional feature is retrieved through the electronic configuration information and the digital configuration information is further expanded according to the author through the Internet and the World Wide Web. McLuhan suggested using eyes as ears when watching screen-based internet as well as TV. Paradoxically, the Internet has more visual content than print-based books, and text-based media such as Twitter and Instagram add visual components to their services. Check spatial cognitive dimensions of various multimedia facilities such as the Internet, the Internet, television, movies, digital media

Marshall McLuhan is widely regarded as a prospective critic of media and communication means in modern society. The concept of acoustic space is one of the important concepts for Marshall McLuhan to understand the media. McLuhan uses his acoustical space concept to describe communication in verbal traditions. He compares acoustic space with space. It is characterized by cultural communication, especially through writing, especially after writing letters. He suggested using the concept of "acoustic space" to describe the transmission of electronic information through telegraphy, telephone, radio, television, and certainly will accept and accept the digital era when he is so prudent .

Relationship with Marshall McLuhan with acoustic space, medieval philosophers etc: everywhere, there is not anywhere on the edge

In the dualistic theory of acoustics and visual space, Marshall McLuhan and Edmund Carpenter borrowed the same dichotomy from Philips Pavilion. They believe that in the process of atomization, the Greek speech ability orders the Western "visual bias" along the axiom of Euclidean geometry. Instead, they claim that there is neither a central focus nor a lost view in the acoustic space. It is a fixed boundary "space", "dynamic" and "always flowing" (Carpenter and McLuhan, 1960, p. 67). McLuhan and Carpenter relate the visual space with the modern cultural Western society, but they preserve the acoustic space to describe the perceptual structure of modern non Western Western society. McLuhan wrote as follows.