Marriage to Morbidity : Women in Anita Desai’s Cry,the Peacock and Bharathi Mukherjee’s Wife

Since the 1960's, the main focus of Indian female novelists was the plight of women, their institutional obedience and freedom. Their first attempt was to challenge the culture that permeates the traditional, oppressed woman's ideal, the religious image of a good goddess devoted to her husband. However, gradually, female writers have decided to release the stereotypical persistent self-sacrificing woman, seek identity, stick to their personality, and ignore female characters to ignore marriage and childbirth.

In the review of the past research, the article "superstition and heart", "treatment of neurosis", "undergraduate, unity and sustainability" is a research on the status of women in Anita Desai's "cry" and "peacock" It is relevant. Society The majority of the points in this article are related to combine the three concepts of patriarchy, insanity and madness. Feminism is a term that can also be used to represent the three major streams of cultural, social and political aims aimed at establishing equal rights and legal protection for women. Meanwhile, feminism also includes philosophy of political, cultural, sociological theory, and issues related to gender difference. Feminism is a campaign to promote gender equality in the rights and benefits of women.

This research paper will help readers to further understand Anita Desai's novels "Cry", "Peacock". This research paper also relates to Anita Desai's novel "Cry" and understands and understands patriarchy, insanity, madness by using the related writer's theory through the role of Maya in "Crying Peacock" I will help you. It is a problem. Peacock The elements of this paper are explained in detail about how patriarchism, craziness, and insanity affect literary criticism These comments are based on the theory of "crying", "peacock" and women in modern society Focus on the status of. This research paper uses a method to clarify, interpret, and obtain concepts and theories.