Marlow and Kurtz in Joseph Conrad's Heart of Darkness

Marlow in the dark heart and Krutz Conrad's novel "Dark heart" is the main character of Kurzu. Kurtz no longer obeys the authority of his boss who believes that he began to adopt a "quiet way" too much at his extreme (Coppola, 1979; Longman, 2000). Marlow was sent to recover the cruise from the evil forces of Congo and to travel wildly the polluted river. In the process, Marlow learned about real Kurtz, agreed with himself and began to like dangerously men.

While studying heroes and anti-hero Joseph Conrad 's "Dark Heart" in Joseph Conrad's "Dark Heart", many critics are talking about heroism. The main character is Marlow, Kurz. Obviously, Marlow and Kurtz are the hero of this story; but the hero and the hero are not necessarily synonyms. Marlo is a hero in a traditional sense, but Kurz is a more modern hero, often called an anti-hero. - The Crucible 's anti - hero hero is defined as "those who admire his courage, great behavior, or high - grade qualities". All heroes can be divided into three categories, one of which is anti hero type. Anti-hero serves as a hero. They do not want to be brave or noble, but their action makes them a hero. Confronting difficult decisions and doubts is also a classic feature of anti-heroes.

Joseph Conrad's "Dark Heart" is a dark and unforgettable story about finding an essential magical person named Mr. Kurtz. In the center of Dark Heart is Marlow of a sailor who is also a narrator of a novel. Through his work Conrad uses a variety of literary instruments to express his writing style. The title of the work itself, the center of darkness is an example of the use of metaphor. Dark is an important part of the concept book title. Although post colonialism is a theory similar to cultural research, it is based on its own literary and political viewpoint and it is necessary to examine and analyze them separately. Postcolonial criticism focuses on power, economics, politics, religion, and culture issues, and how these elements are related to colonial hegemony in the text. This form of criticism can be applied to many literary works, especially works based in Africa and the Middle East.