Mark Esslin's Theatre of the Absurd: Camus and his Debasement of Language

In 1962, writer Mark Eslin was happy to write a novel "Absurd Theater" and became the main influence of writers who soon received many inspiration. Later, Eslin created subsequent episodes and stories, focused on nonspecific existential concepts and contradicted his view, refusing "continuation of narrative and logical rigidity". As a result, the protagonists of these stories often can not put themselves in a disorderly society ("theater").

In his "The Absurd Theater" (1960), Martin Esslin claimed that "waiting for Godot" is part of a wider literary movement. Born from the dramatic form of absurd philosophy of Albert Camus. The absurdity itself is a field of traditionalist existentialism pioneered by SørenKierkegaard and the universe seems to have an essential meaning, but human beings are due to some form of spiritual or philosophical limitations I can not find it. Therefore it is absolutely irrational that humans face absurdly or are destined to lack the existence of internal goals.

Critic Martin Esslin created the word in his article "The Absurd Drama" in 1960. Just as Albert used this phrase in 1942 's Myth of Sisyphus, he tells these plays based on a wide range of themes of absurd themes. Absurd forms of these plays are people who are being dominated or threatened by human reactions to obviously pointless worlds and unseen external forces. Although this term applies to a wide range of plays, many plays have several features: usually resembling a juggling show, mixed with horror and tragic images, desperate situation characters repeat Behavior or meaningless Behavior, cliches, word dialogue and nonsense dialogue, whether it is imitation or disapproval of modernism, and concept of "crafted drama"

The word "abetal drama" comes from the philosophical use of absurd words of existentialist thinkers like Camus and Sartre. This term was created by Martin Esslin in 1961 and refers to a special drama created primarily by the European playwright between the 1940's and the 1960's, and from their work. Derived drama form. Absurd drama depends greatly on the existential philosophy of Heidegger, Sartre, and Coronation. This emphasizes that we can not provide an explanation of absurdity and reality of human conditions. However, this does not mean that an absurd playwright simply converts the modern philosophy into a drama. In fact, they corresponded to the same cultural and spiritual conditions, reflecting the same concern as the philosopher.