Marc Chagall

Mark Chagall Marc Chagall can not be classified as an artist and a person. Born in Rythia Vitepsk, he painted in St. Petersburg, lived in Paris, Berlin, and the United States. His career has been influenced by various factors. His Hadid Judaism was highly reflected in his paintings. Jewish mysterious lyrical fairy tales, biblical stories, rabbits and scholars have appeared in his work surrounding him in his childhood. When he went to St. Art School

In 1919, Mark Chagall, who was dean of the Vitessusk Revolutionary People's Art School at the time, invited Lisitzki, where he taught architecture and graphics. When painter and founder of the movement called Highestness, Kazimir Malevich advocated a pure geometric form rather than expression - when he began teaching there, Chagall fell down with him and Chagall went away , Malevich served as the director. Lisitzki stayed at Vitebsk and became one of the major students and believers of Malevich

In May 1919, upon receiving an invitation from the Jewish artist Marc Chagall, Lissitzky returned to Vitebsk and taught graphic art, printing and architecture at the newly established People's Art School. School founded by Sarsk Art Commissioner in 1918. Lisitzki was engaged in the design and printing of the poster but later he liked to be silent during this period, as he was Leon Trotsky, one of the main themes of these posters was exiled It was. The number of these posters is enough to treat them as separate types in artist's work.

Vitepsk school played an important role in the development of Belarusian art at the beginning of the 20th century. The most famous internationally famous school member is Mark Chagall born near Vitepsu. He entered the country in 1922, then lived in France, Mexico, and the United States. His work often depicts the landscape of his native Vitepsk and the life of Jewish people in the town of Belarus. Since the October revolution in 1917, socialist realism has become popular with focus on history and domestic themes. Since the 1940 's, artists have focused on scenes of battle, especially the Great Patriotic War. In the 1980s and 1990s, Belarus paintings followed Western trends, relying on symbolic meanings and metaphor to solve intellectual and philosophical problems.