Mantegna’s Dead Christ And The Roots Of Anatomy In The Renaissance

Without knowledge of Renaissance today, understanding of anatomy and physiology will disappear. Take a small step and take a look at what the Renaissance was. In the history as the foundation for "to think of the human spirit in the classical (Greco-Roman) era (Renaissance) where people are awakened again" during this time, during this time, It means that you can create destiny, human individualism, the emergence of a new concept of human doctrine (Renaissance) "human being is the center of the universe".

One of the great paintings of the 15th century Renaissance, Andrea Mantegna (Andrea Mantegna, from 1431 to 1506), the condolences for the death of Christ are all part of the artistic nature of the Renaissance (see left above) An example of the most famous viewpoint. It depicts the body of Jesus above the marble that the Virgin Mary and St. John crying saw. "Sketches and artists have few cameras, but artists may not want to reproduce precisely shortening brutal effects, but this is short compared to the object of the article, and conversely, He often reduces the relative size.In a part closer to the object (sad, in the case of the foot), more harmony In fact, it is integrated into the whole composition and slightly to the viewer's eyes For less aggressive attacks, and shortened images, this is Fremantle Wagner's doing mourning.To avoid blocking our view of the body, he deliberately limits his leg size Please reduce it. "28

The aesthetics of the Renaissance do not emphasize the unification of perfect things like classical aesthetics. In his courtier Valdassarre Castiglione wrote "Leonardo, Andrea Mantegna, Raphael, Michelangelo and Giorgione," Each one of them is different from the others, everyone is most perfectly his style. " Architect and learned family Leon Battista Alberti created a perfect architectural art that does not have any hidden or unknown mysteries to the Romans " architectura) "...... perfectly mature, Italy implemented architecture" This is another representation of the perfect concept

As such a shadow or nature launch, the artist of the high Renaissance received the influence of the line far-near Masaccio and the artist's symbolic processing of Mantegna early Renaissance. However, they mastered these techniques mainly to convey a new aesthetic ideal that emphasizes beauty. Sacred letters are embodied, and paintings and other new technologies are believed to be used to convey the tone and color of human exercise and psychological depth. The use of the exact anatomical accuracy of classical Greek and Roman architectural and human body ratios such as Maestro Leonardo, Michelangelo and Raphael created a powerful work whose theme is shown as part of the whole Harmony and Unity