Manifesto on Becoming an Architect

The building functions within the realm of creativity and current economic instruments, and the two systems prefer to function independently, but of course it is linked. Most people would rather rather let you believe they will create a limited juxtaposition between the two. The building is rarely considered to be a profitable business and a well-functioning artistic outlet that practitioners have always chosen between the two. However, it is conceivable that architects have tools to overcome the current situation between modern construction practices and typical business applications.

Building responsibility is divided by division of labor between elegant art and mainstream. The only responsibility of an avant-garde architect is innovation. His / her work is a declaration whose value goes beyond the current job of the building in front. The responsibility of mainstream architects is to adopt what can be used according to the situation. However, communication between these two areas is not unidirectional. We agree with the call hero's retro declaration law. Innovation is not just new. Not everything goes well. The choices must be tied to reality. Furthermore: Innovation may be hidden in "ugly" deviations of business development. These clues that gain clues from mainstream / commercial development are not a trace of high architecture, but a useful technique for finding compulsive deviations, phenomena.

In general, Mary Ann Caws tells us that the declaration is isolated. It does not rely on or refer to other text. Sometimes short sentences will grab a big idea. Architects will not forget that Mies' modernism is "less" or that Robert Venturi will provocatively translate it to "less students". In fact, Caws wrote that architects use declarative style as their professional dialect.

The sentences most relevant to the language of the declaration are Marx and Engels' Communist Declaration. Until a visual artist adopted this type, its character was criticizing society, so its declaration still entered the political realm. Filippo Tomaso Marinetti wrote a declaration using his futuristic declaration (1909). In the process, the type of declaration is formed, including author's intention, expression of the title, radical provocation, and clear and accurate communication about self-propagation of regular advertisement. Artistic declarations often use rebellious rhetoric to solve social themes that transcend art. Tristan Tzara, Kazimir Malevich, André Breton, Claes Oldenburg, Yvonne Rainer, Sturtevant, Bruno Taut, Sol LeWitt, Jim Jarmusch, other artists, architects, choreographers, filmmakers, etc. All Rosefeld's declarations There is freedom and demands to change the attitude and society greatly