On February 11, 1990, after being released from Victor West prison after Nelson Mandela was imprisoned for 27 years as a political prisoner, he made his first public speech (Mandra, 1990). Following this, a rhetorical analysis of the relationship between the concept of communication, negotiation, and conflict resolution used in the presentation and the consequences of these concepts is done. Nelson Mandela soon established the credibility, and the opening attracted the attention of the audience. The importance of the moment before the presentation can be understood by anyone who is a good speaker (Morgan, 2003). Please open the chorus "Amand! Amandla! I-Afrika, mayibuye!" Mandela not only placed himself as a companion of Africa, he also used his supporters' words. This is not only attracting spectators by means of wording but also attracting audiences with the word "struggle".
Apartheid has no future - Rhetorical analysis of the speech of Nelson Mandela - Andy Bra on February 11, 1990
Pretoria 's inaugural speech was Mandela' s second inaugural speech. However, unlike Cape Town 's speech, his audience consisted mainly of South African citizens and members of the Mundelee campaign team and the Pretoria audience who spoke directly to the beginning of the speech was primarily a member of the royal family of South Africa, An important political or social person of this important speech, including many of the same rhetorical strategies used in the first inaugural speech in Cape Town (such as form and composition) is full of sorrow. I refuse to see the light. "
In Mandela 's inaugural speech, the rhetoric of tragedy usage is very strong. Mandela's appeal to solidarity also contributed to the sorrow of the speech by encouraging the audience to unite rather than oppose the substance. "Domination of freedom" suffering from insults of the world's skunk (28-29) It is also important to pay attention to the use of Mandela's "ideogram" by rhetoricists. Please outline the clear principles or ideals of political culture "(Parry-Giles & Hogan, 2010)