Male Roles in the Plays Antigone and A Doll’s House

"Do not forget that we are females, not born to fight men" (Sophocles, 18 years old). Popular literary works by Sophocles and Ibsen "House of Antigone and Adoru" are two famous tragedies that have been ongoing for decades. These well-written episodes have welcomed countless audiences, but as you think about many courses and some unfortunate facts that can be found through character boredom tests and reactions to the environment There are few things that have become.

Personal responsibility in Antigone and Adores house The theme that we can see in Antigone and Adores House is not responsibility for nation or society, but for ourselves. Two women, the doll's house Noora and Antigone's antigone, should do what the country and society wish them to do or follow their own conscience. Both plays focus on understanding individual and domestic laws, disobedience and obedience, and the conflict between them.

A Doll's House and Antigone is a story of a young woman who conflicts with traditional male domination in society. In Anouilh 's Antigone and Ibsen' s A Doll's House there is a young heroine struggling with male rivals and having family relations with them. Antigone collided with her uncle Creon with novel Antigone, but Nora Helmer opposed her husband Torvald at A Doll's House. In both dramas, men's opponents embody social value and national value. Theve ruler Kryon insisted on his involvement in his people. In a related sense, Tobird is an outstanding bourgeois citizen, has been thoroughly socialized, and undoubtedly supports the ideology of the middle class society. He continually monitors himself and Nola's behavior towards society's expectations. "From now on, happiness is not important, it is important to preserve a little piece." Appearance "