Mahabharat, Hindley

In the late 1980s, the Mahabharat TV series supervised by Ravi Chopra was broadcast on National Television (Doordarshan) in India. In the same year, Mahabharat performed at Doordarshan, another television program from the same company by the director of Shyam Benegal Bharat Ek Khoj screened two episodes of Mahabharata. In the world of staging west, the famous epic stories are a 9 hour script of Peter Brook premiered in Avignon in 1985 and a 5 hour movie version of Mahābhārata (1989). By the end of 2013, Mahabharat was aired on STAR Plus. It is made by Swastik Productions Pvt. production

Ramayana and Capricorn are Indian two famous Indian epics. In these two epics, especially The Mahabharat, we found a portrait gallery. Ramayana also has various roles and they made a lot of contributions to the respected epic formation. These two magnificent times have been filled with many gods, with people who lived around the world at the time. In this direct post I am worried that the female character of Ramayana is depicted more than any other problem. In this epic, female characters are depicted as highly convincing, and interestingly, female characters in Ramayana have many shadows. These women are faithful to this ancient land habit - they obey the husband's orders without protesting anything, and they regard chastity as precious virtue.

For amateurs, it is difficult to understand Indian myths as well. I wondered that Ramayan had the incarnation of God who left his wife. I question whether Mahabharat is responsible for such defects and self-serving roles. I want to know how God can make justice when it is in a hurry and often a devastating decision. As I reread those stories long ago, when you interpret them as stories, Indian myths have found beautiful myths. God can make mistakes in the form of human beings. These stories are not a source of ideology, it is a treasure trove of the value of the real world. They teach us to accept the world and do the best karma