Magic realism as post-colonialist device in Midnight's Children

Magical realism is the formal skill of the magical realism "Magical Realism" associated with post colonial and midnight children as post colonial devices for midnight children, "Linda Hachin wrote" It was chosen by many critics as one of the points of postmodernism and post colonialism (Hybrid) (131). She traces the origin of the magical realism of literary style as a country of Latin America and the Third World, accompanied by the definition of postmodern text. Text '- consciously reestablish relationship with cam

Salman Rushdie is a metafiction writer who creates children in the middle of the night to systematically pay attention to the imaginary mixture of questioning the relationship between fiction and reality. Among the midnight children, Rushdie used historical events as a reference point for his role life. The life of Salimsinay and the lifetime of his family's predecessor are determined by historical events. In addition to using historical events to express his character's life Rushdie uses magical realism as a postcolonial device.

Magical realism is the formal skill of the magical realism "Magical Realism" associated with post colonial and midnight children as post colonial devices for midnight children, "Linda Hachin wrote" It was chosen by many critics as one of the points of postmodernism and post colonialism (Hybrid) (131). She traces the origin of the magical realism of literary style as a country of Latin America and the Third World, which means the following changes from 'historical burden of modernism'. That is "self". Text '- consciously reestablish relationship with cam

After Max 's famous 100 - year solitude, writers other than South America and Central America began using magical realism. Salman Rushdie uses fantasy elements to tell the story of Indian origin in midnight children. Tonimorison explains the fear of beloved American slavery using supernatural extra touch. Magical realism in Latin America and "hot" opens the way to a group that is not expressive enough, such as literature after the colony, sentence styles for writers such as Jean Rhys, Margaret Atwood, Naguib Mahfouz You can say that. Personal identity after colonial occupation