Madame de Pompadour and the Theaters of Power, by Thomas E. Kaiser

In the article "Mrs. Pompadour and Power Theater", the author Thomas E. Kaiser discusses how Jeanne - Antoinette Poisson became King of France. Influenced lover Madamepopado. Her rise has both positive and negative, and her power is questioned by the royal family and the masses. Mistress life is not an easy task at all, but Jeanne-Antoinette Poisson accomplishes difficult tasks and succeeds in most failed places.

François Boucher, the princess of Louis XV, Jeanne Antoinette Poisson, Marquis de Marquis (Pompeii, Marquis de Pompadour) Mrs. Du occasionally hired other artists, but perhaps he is very excited to hide the effects of aging Successfully, she came back to Boucher. Her role as a sponsor of enlightenment, emphasizing the femininity and youth of her subjects: She stopped her portrait while studying, near her desk is well-stocked, the impeller is ready It was made. It's full of reading material (first picture) Portrait intellectuals are self-sufficiency, but their real theme can be said to be the huge green clothes worn by women (her dog is like that I look at worship). At the very least, learning luxury is consistent with a life in a reasonable age.

In the last year of his reign, Versailles was a ceremonial theater. Marie Antoinette is the inhabitant of her married life and it is difficult to hide what the king's mistress Barry is hated about. The king built a luxurious room for Mrs. Barry on the upper floor of the office; Mrs. Madame was also built by the King Petit Trianon for Madame Pompadour and Madame de Pompadour. Domination of Pavillon de Louveciennes. The court welcomed the differences between old wives such as Duc de Choiseul and Marie-Antoinette who laughed at the wife and her.