M. Butterfly, Written by David Henry Hwang

Drama M. Butterfly was inspired by Opera Madama Butterfly of Rene Giacomo Puccini. It is based on ridiculous and true story, Gallimard, experienced a 20 year affair with Song Liling, a beautiful Chinese female singer, without noticing that his lover is actually a camouflaged woman. In a male spy drama, Gallimard represents a masculine Western imperialist and Song is a submissive image of an oriental woman. What makes the drama a wonderful work is the transition of the song and Gallimard's thorough role at the end of the script.

The waste of butterflies of David Henry is said that the brain is the stage of conflict. But what happens when the perception hits the head with a conflict? In theater M. Butterfly of David Henry Wong, he uses the title as his main metaphor, but distorts the audience's reaction by distorting the audience by solving too many themes around them. The tenor is a butterfly, the ride is M. The problem is that tenor and vehicles mean political order and police use power to restrain socially disadvantageous behavior (Elliott & Pollock, 2013). The application of force is generally considered morally neutral, and in various situations it may constitute the abuse of power.

M. Butterfly is a script by David Henry Hwang. This story is intertwined with the story of the opera "Madame Butterfly" The most straightforward basis is the relationship between French diplomat Bernard Berticott and Beijing opera actor Si Peyu. This program was premiered in Broadway in 1988 and was awarded the Tony Award in 1988. It was held at Eugene O'Neill theater on Broadway on March 20, 1988, and it was closed after 777 performances on January 27, 1990. The show was produced by Stuart Ostrow and directed by John Dexter; it starred BD won as John Lithgow and Song Liling as Gallimard. In the initial game, David Dukes, Anthony Hopkins, Tony Randall, John Rubinstein played Gallimard at different times.