Loyset Compère Motets (Orlando Consort)

LoysetCompèreMotets (Loyal Acura) Loyset Compere is a very famous composer of the 15th century and has been ignored in the history of music. Historians have for some time removed him from most of his work. Therefore, as modern researchers and discovers, we have few resources to gather information about Compere. In fact, historians are also discussing his birth date and birth date. Therefore, our research is limited to what we see on his music page and what we collect from the music we hear (MCD 1490, Carapetyan).

The Dutch in the late Renaissance era or Orlando de la Sução, Francon-Flandres composer, is known for his fluid polyphonic style. His beautiful song combines a rich northern polyphony style, a wonderful French text setting, and a rich Italian melody. Lassus has over 2,000 written works for various music styles, including all vocal types in Latin, France, UK and Germany, and Lassus is one of the most versatile composers in Europe. Giovanni Gabrieli is an Italian composer who associates the Renaissance style with the Baroque style and is known for learning the Venetian style. Gabrielle loves to write sacred works, with a rare layout of St. Mark's Cathedral in Venice, Italy, he can produce stunning music effects. Unlike his predecessor, Gabrielli was planning to carefully plan to use the phone and plan to use it (first the choir or instrument group heard on the left side, then another on the right side Group 's reaction).

More complicated is music developed from the medieval Klausha type. The script will be the most popular form of medieval polyphony. Early gifts were liturgical or sacred (intended for the service of the Church), but by the end of the 13th century this type of thing extended to include secular themes such as court love it was done. Love like a court is a passionate and noble person who respects distant women. Many popular lyrics have lyrics about male love, there is a longing for a beautiful, noble and respected woman.

The accompaniment of independent instruments opens up new possibilities for chorus music. Poetry and chorus alternate; the most famous composers of this type are Orlando Gibbons and Henry Purcell. Grands mott (Lully, Delalande, etc.) splits these parts into different parts. Oratorio pioneered by Giacomo Carissimi extends this concept to the length of the concert. It is usually based on the Bible story. The apex of the oratorio was in George Friedrich Handel, especially in the works of Messiah and Israel in Egypt. Although hundreds of contemporary chorus have to wait for the growth of the chorus and its centennial anniversary concert, we find that Handel used various performances from soloists to large groups of Chandos national anthem (ratio is modern Still different yet)) Orchestra choir):