Love’s Hate in Sylvia Plath’s Mad Girl’s Love Song and Hate Poem by Julie Sheehan

William Concord, a playwright, writes as follows. "Paradise is not angry like a change of love for hatred, no anger, like a woman," 459 Congreve. The feeling of betrayal and angry love that is explained in Congreve's powerful discourse is settled between Sylvia Plath's "Mad Girl's Love Song" and Julie Sheehan's "Hate Poem". The similarity between the two verses is the theme, image, and repeat. As reflected in the works of Plath and Sheehan, love is beautiful, bright, dark and sometimes frustrating.

Villanelle is a restricted poetic form that is born in France in the 17th century and tends to be overlooked. "One Art" and "Mad Girl's Love Song" deeply loved by Elizabeth Bishop and Sylvia Plath represent two examples. Villanelles consists of 19 algorithmically repeated lines on the yin scale, summarized in the last 4 rows. This is my first attempt

There is no anger like a change of love for hatred, no anger, insult like a woman "(459 Congreve) Emotions of betrayal and angry love are strong words of Sylvia Plath's" Mad Girl's "Congreve It is explained. The "song of love" and Julie Sheehan's "poetry of hatred" are united, and the similarity between the two poems is the theme, image, and repetition. As reflected in Plath and Sheehan's writings, I am frustrated.

You can see Harley Quinn and Silvia Plus poetry tattoed on her skin. She will carve all the words of Mad Girl's love song on her back. They are floating in the same field of incredible genius, strong love and instability. Harry Quinn lives forever in fictitious reality, and Silvia Plus lives in the reality affecting her novels. They all have a lot of fans, and if you ask the fans of Plath and Quinn why they like them, in most cases you will hear the word "related". They represent imperfections, lose their identity, and the original honest emotions are incomplete. They may not be typical feminists, but they gave us some authentic items.