Love Despite Dominance in Like Water for Chocolate by Laura Esquivel and The House of Bernarda Alba by Federico Garcia Lorca

Literature often tells complex phenomena that may otherwise be ignored. An example of this complex phenomenon is the coexistence of two contradictory elements, superiority and love. The water like chocolate and the houses of Bernarda Alba, Mama Elena and Bernalda Alba did not express their love for their daughter, but their behavior and abnormal behavior indicated this. Some elements of expressions and narrative patterns in the two works try to limit the reader's perception of the dominant personality to its static characteristics.

Federico · Lorca's "Bernarda · Alba House" and Isabel Allende's "spiritual association spirit" and its role on its role is influenced by Ferrarik · Lorca's "House of Bernarda · Alba" and "House of Isabel Allende" Played an important role in. Soul "The nature of each literary work is influenced by a series of social pressures, but the three main influences dominate the two works: the church, the women's superiority to men, and the socioeconomic status Social class) is the root of the greatest social pressure against the character.

Marriage is an important theme in the drama, "A Doll's House" by Henrik Ibsen, "Bernarda Alba House" by Federico Garcia Lorca. The concept of marriage is the coexistence of two people through love and fellowship, but it is centered on social obligations and principles. Both books share a timely view of marriage. There, marriage is not an emotional attachment between two entities but a social involvement between two entities with similar wealth and power.

"Bernarda Alba House" by Federico Garcia Lorca and "A Doll's House" by Henrik Ibsen protested the restrictions of the women at that time. Different houses were built in Spain of the 20th century and Norway of the 19th century, but these plays are related to illuminating each heroine, Adera and Nora. It will be a free individual. From suppression. Author's attempt will allow readers

"The house of Benada is a central image of a drama at various levels. How does Lorca use this house to convey his idea?" The title is the first element to be reflected. Lorca did not name the play "Bernarda Alba" or "Bernarda Alba Day." Since it attracts attention to Bernarda's "home" to the reader, he named the play "Bernarda Alba House."