Lost Wax: The Parafictional Object

A novel - a technique that expresses a novel as a fact - is a hypothetical imaginary practice. Surprisingly, this art is often focused on objects and things. In fact, sometimes artists seem to have to make novels to make things. With this imaginary object, the two traditional features of the artist come together: a craftsman or a material expert, a designer, or a novelist. This requires historical problems: How were these invented again in contemporary art? why? It causes a theoretical speculation: Is the material thing fictitious? How is the theory of the novel compared with the materialist philosophy?

Details of the exhibition "Teaching Bees: Faith, Logic, and Super-Symbolic Recognition". From Jurassic Technology Museum, Santa Monica, California. Photo: Anne Suma

Carrie Lambert-Beatty is an art historian specializing in art from the 1960s to the present, and I am especially interested in performances in a broad sense. I teach art history and visual research at Harvard University. Her 2008 work "Being Watched: Yvonne Rainer and the 1960s" is an important history of American avant-garde signal member art, literary and artistic reactions on minimalism, dance, performance are usually political unconscious We will explore by level. Media culture of the boom of the era. Published by Massachusetts Institute of Technology Publishers, viewers received the Della Torre dance research award. Lambert-Beatty's work is published in magazines such as Artforum and October, and she is an editor. In recent years, Lambert-Beatty has focused on the possibilities and limits of political art in modern practice and has written a mixture of art and behaviorism such as "women in the waves" and "being men" . Among her work at the art team Allora + Calzadilla, she represented America in a paper on rehabilitation at the 2011 Venice Biennale - both neurology and ideology. Lambert-Beatty is currently working on the 2009 paper "Make-Believe: Parafiction and Plausibility" (October 129) for the University of Chicago publisher to explore the fun and dangers of contemporary fraud, I am publishing a book. Art and culture

"Roundtable meeting" that mixes news, anthropology and art presents musical "fiction" about food. (Truth experiments of truth through destruction and overturning create possibilities by creating acceptable alternatives for truth, faith, discourse, and ideology). Camille Jeanjean (Paris, 1989) is a freelance writer (French press card). She graduated from the Iscom Institute in Paris, researching new media and journalism. She has lived in Beirut, Lebanon, Brazil for two and a half years and is working on a local magazine. Her interest is to create a new story with digital art, music, light and technology. Exercise and immigration stimulate her, she always goes to a place of change. With this residence, she can try the intersection of art and news.

In the novel, real and / or imaginary characters and stories intersect the world of life. After the simulation, the fictitious strategy is more suitable for the real disappearance than the trusted word theory. In short, these novels are as de facto experience for these degrees of success, different periods, and for various purposes. At one point they realized the state of truth for some people. (54-56) First, use of pseudonymity by pseudonym in the form of "group" (can be considered as a condition of historical novels), secondly, use of documentary as an index mark and pure culture form. (33-4, original focus)

"In the ancient late period (500-480 BC) when lost wax casting became a major technology for the production of bronze statues, Sphilaton was no longer used as the main method any longer. Direct Lost Hollow Lost Wax casting and hollow lost wax casting by indirect method The first method is also the fastest and easiest method and requires a model made from solid wax and its model is surrounded by clay.The wax is removed and the clay is hardened Heat to make it, then turn over the mold and pour the molten metal, as the metal cools, the clay model breaks and a solid bronze replica appears.