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Loss of soldier identity

2023-03-23 16:19:35

The Vietnam War is not a "pretty" war. The soldiers are in the worst state of fighting guerrilla, fighting in bad weather, and having to live in a dangerous jungle. Many soldiers may be proud to enter, but I will go home to lower their sensitivity. The protagonist of Louise Erdrich's The Red Convertible has proved this. In the story, the hero is a youth full of life before the war, after the war he is only his predecessor.

The war includes diplomatic strategies and military strategies, but I also reveal the physical and most important mental distress that the front line soldiers have experienced at the moment. I did not regard a soldier as he loses identity when he left all the values, education and family that revolutionized them around them. Those who are frightened at home with their families and loved ones are trying to avoid death every day as much as possible, but many people seem to question the war like Paul. Purpose Many conflicts of values ​​have occurred constantly throughout the First World War. One of the strongest conflicts I have not thought of before is the killing of children, of course a terrible act, but the invisible document legitimized mass murder.

Millions of combatants and civilians were killed in World War I and countless soldiers suffered injuries and loss of appearance. Perhaps the most frustrating face is injuries, as soldiers must not only deal with physical injuries but also the ongoing psychological pressure on how people respond to changes in appearance. These men are worried about their return - how strangers respond, but more importantly how they are treated by friends and family. Surgery and skin grafting are part of the option, but many sustained injuries are beyond the ability to repair surgery. These unfortunate soldiers looked at the mask of portraits. A portrait mask made by British sculptor Captain Derwentwood and improved by American sculptor Anna Coleman Rudd was modeled based on photos taken before the injury and painted in oil paintings It was. As well as the characteristics of the patient's predecessor