Lorenzo Monaco's Crucifixion

The next article is a formal analysis of the Italian panel "The Crucifixion" of Lorenzo Monaco. This group was founded around 1392-1395 at the end of the 14th century and is currently exhibited at the Chicago Art Museum. According to the label identifying this work, this is a parade cloth used in religious ceremonies in Florence, Italy. One of the things to understand is that in these times religious devotion manifests in many different ways, but Christians use material things to represent religious figures and other idols to create extreme Practice dedication.

In 1417, a young Angelico was proposed to the church in Florence by a singer of a religious song collection Battista di Biagio Sanguigni. What is familiar with the environment of miniature painting is the school of Lorenzo Monaco in Camaldolese Monastery of S. Maria degli Angeli. This explains the unique translucency and shine of his tempera style. Giorgio Vasari approved Angelico's own work as a small artist at "The Life of the Artist" (1550) and his hand was at least S. Marco (c.1428-30) and S. Trinita (1435-40) It was held in. You can find it on the cross leaf

Her son Jesus, as the Queen of Heaven, had the theme of Virgin Mary and was popular in medieval paintings. At that time, almost all the artists of the time, including Michelle Giambono Lorenzo Monaco, later Raphael and Velázquez tried to portray this event. Fabriano turned around for the first time. The "crown" described here belongs to his later paintings and should not be confused with the most famous "Coronation of Our Lady and the Saints" drawn in 1400. The style of 'Immaculate coronation' painted by tempela on a panel of gilded leaves can be called Gothic style and Renaissance style. It is worth noting that Fabriano is strongly influenced by the Byzantine style which has been accepted in Southern Europe for centuries and that the artist's paintings are similar to Orthodox idols of Byzantine and Russia.

In 1967, Italian driver Lorenzo Bandini crashed in the port corner at the Monaco Grand Prix and won the second place. His Ferrari car turned over to the straw cord of the truck, and Bandini was trapped under it. A fuel tank penetrated and a fire occurred. As the hay bales also rose in the fire, the situation worsened further (so the hay bales were prohibited from participating in the Grand Prix). The body of the magnesium alloy of the car burned very hard, so the nearby forest was a fire, hindering the attempt to rescue him. As he was hit by a loose tire at the helmet, it was discovered later that courage might have died before the fire occurred. The two men rolled out from the dust cloud at the same time