Looking Through the Eyes of the Faultless Painter

The title of Andrea del Sarto in Browning's eyes should be regarded as "an innocent painter". For del Sarto, it is of little value to capture beautiful things. However, Dell Sato found himself confined between two identities: her husband and his wife, artist and his customer. Andrea del Sarto noticed that his work as a painter often left him away from his wife but also realized that affection for his wife reduced the ability to draw that subject. Of course, Del Sato himself is showing only his story, that is, only those who are trying to support his wife with his work; it is interesting to see Lucrezia's story.

"...... We are one of the painters, only the eyes can draw, In the case of Gillette, she did not participate in their business activities she does not see the painting, only the painter is watching ... Poussin drew her She could not believe she was not watching her, but she did not think about ... She did not say: There is no desire for her Yes, As it is a delivery object, Gilette may have been added ... When asked for appearance: 'You will never see me from where I saw you. The only thing that makes sense is paintings, and at the same time people may find a beautiful woman, looking at us on canvas, find a long thing for her. "(Damisch 200 )

Francisco Goya was called "The last great painter, his artistic thoughts and observations were balanced and combined to form a complete cohesion." But his degree of romance is a complex problem. In Spain, efforts are still being made to introduce the value of enlightenment that Goya regards himself as a participant. The demons and anti-rational monsters thrown by his imagination are only looks similar to the Nordic Gothic style fantasy, and in many respects he still insists on his training of classicalism and realism, Expect realism in the second half of the nineteenth century. However, he can embody the feelings of the artist and his romantic values ​​of the world that he personally imagined than any other artist of this era.

Tibor Nagy is an exceptional painter combining abstraction and realism with a blend of background, brush stroke, palette and scratch. He is a painter and seems to draw attention from artistic voices and artists and collectors. But this is his comment about getting rid of the obstacles I think. I wrote about time management and postponement. However, Tibor Nagy's comments on removing his obstacles that hinder his artistic vision and painting have resonated with me. So how do you establish a clear path to success? How do we achieve the ideal that we dream about? How do you reach new creative heights?